From the earliest days of rock and roll, white artists regularly achieved fame, wealth, and success that eluded the Black artists whose work had preceded and inspired them. This dynamic continued into the 1960s, even as the music and its fans grew to be more engaged with political issues regarding race. In \"Tear Down the Walls: White Radicalism and Black Power in 1960s Rock\", Patrick Burke tells the story of white American and British rock musicians’ engagement with Black Power politics and African American music during the volatile years of 1968 and 1969. The book sheds new light on a significant but overlooked facet of 1960s rock—white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity.\ \ Patrick Burke is associate professor of music at Washington University in St. Louis. He is the author of \"Come In and Hear the Truth: Jazz and Race on 52nd Street\", also published by the University of Chicago Press.\ \ This is an in-person event. Masks are required for all attendees. Copies of Patrick Burke\'s books will be available for purchase and signing at the event, courtesy of Subterranean Books.